High Artist Spotlight: Paul Hilario

Paul paints visual narratives. He tries to create stories with themes that range from the blissful to the brooding. Typically, his compositions are laden with common and personal symbolism. His works seem to have disconnected elements but they are in fact linked in the way that he sees them. To the audience, however, they are like puzzles; open to varied personal interpretations.

Paul doesn’t like to confine himself in a box. Some days he paints social commentaries. Other days he just paints his personal observations of issues that pertain to almost anything under the sun - this can be political, social, environmental, religious, cultural, and even agricultural. Paul tries to paint realities in, out, and of life.

For painting methods, Paul prefers to use a modified byzantine-era painting technique that helps him create layers of colors developed thru multiple glazing. Shadow colors are richer, hard and soft edges have increased contrast, and he is able to create a sense of melodic feel to the painting.

It’s an often repeated story, almost a cliché, but discovering where his heart and mind truly belong was a process of almost four decades. He never really planned to be a painter but that was his destiny after all. It was a calling he couldn't resist.

Aside from the Philippines, Paul’s works have found their way to Australia, Canada, Denmark, Dubai, Germany, Italy, Japan, Malaysia, Mexico, Netherlands, New Zealand, Saudi Arabia, Singapore, Switzerland, UK, and the USA.

 

 

We recently asked Paul some questions about his inspirations:
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Q: Where do you find your creative inspiration?
A: From everything around me - things I see, events that transpire, situations that pique my imagination, articles or books I read, or anything at all. There are no limits.
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Q: Why do you do what you do?
A: Art gives me freedom. Freedom to express my thoughts in a manner that I want to.
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Q: What art/artist do you most identify with?
A: Impressionism and figurative expressionism
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Q: What role does an artist have in society?
A: To inspire and foster critical thinking.
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Q: What is your artistic outlook on life?
A: Life without art is a mundane existence. We should live a life experiencing all the colors that it may present else we wouldn't know which hues are the prettiest; which hues are the saddest; and which colors gives us joy.

With life we can create. Without it, we leave behind what life has given us.
I know that my time as an artist, creating art, will end someday but before that day comes, I will continue to do art until that fateful end. 
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Q: What advice would you give your younger self?
A: Pursue an art career much earlier. I started professionally at 38 years old.
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